F rom Boyz N the Hood in 1991 until now, Morris Chestnut has seen much of Hollywood. "I've been through pretty much everything in the industry." Now he's starring in and executive

There is no point to CBS’s utterly stale procedural “Watson.” It thinks it’s clever but isn’t. The writing is in shambles. The original score possesses all the depth and nuance of a toddler’s tiny electronic keyboard going boop-boop-boop.