Should we look at digital, computer-generated artwork in the same way we evaluate performative happenings? Can electronic generative art be interpreted as performance with machines instead of bodies?
Harold Cohen, “74D10” (1974), computer-generated drawing in ink on paper, hand embellished with colored pencil, 21 x 17 inches (collection of the Carl & Marilynn Thoma Foundation; all photos Justin ...
As the image-making powers of computer programs such as Midjourney startle and delight the masses, the Los Angeles County Museum of Art launches an exhibit of art made by or with computers in their ...
Modern day computer artist, [Amy Goodchild] surveys a history of Early Computer Art from the 1950s and 1960s. With so much attention presently focused on AI-generated artwork, we should remember that ...
In brief: Online art communities are being inundated with AI-generated artwork, prompting some sites to take measures to slow their proliferation or ban them entirely. Andy Baio from Waxy.org recently ...
His work at Bell Labs in the 1960s laid the groundwork for today’s computer-generated imagery in film and on TV. By Cade Metz Ken Knowlton, an engineer, computer scientist and artist who helped ...
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