“What Beethoven wanted from pianos, as he wanted from everything, was more: more robust build, more fullness of sound, a bigger range of volume, a wider range of notes. As soon as new notes were added ...

Music lovers who are familiar with Jan Swafford’s earlier biographies of Brahms and Charles Ives will need no further incitement to read this mammoth but compelling biography of a composer arguably ...

Following Jan Swafford through the thousand-plus pages of his new biography of Ludwig van Beethoven is hardly as exhilarating as listening to the music of the peerless composer. But the stately rhythm ...

On Dec. 16, while the classical music world is honoring Beethoven’s 250th birthday, the international community of scholars devoted to his music will also be honoring another round-numbered occasion: ...

Ludwig van Beethoven’s career was and still is boxed into early, middle, and late periods; the last three of his violin-and-piano sonatas, taken together, fairly race through those checkpoints. The ...

Beethoven's genus is curtailed at its height. • Just as Beethoven’s creative genius goes into overdrive, so his personal appearance leaves a great deal to be desired. Incredibly, on one occasion, he ...

Ludwig van Beethoven was certainly a true genius, but he had a extremely complex and difficult personality. Amazingly, he also lost his hearing fairly early in his career. Both of these unfortunate ...

In Diagnosing Genius, Ottawa psychiatrist and amateur pianist François Martin Mai proposes to examine the relationship between the creative genius of Ludwig van Beethoven and the various health ...