"I want it to be thought-provoking," says director Susanne Brandstaetter, about the IFFR-debuting film. "I want people to be emotionally touched and think about what they're hearing and seeing." By ...
What do you get the woman who has everything — if “everything” constitutes a collection of ghastly hats, a Grinchian disdain for Christmas and a giant golden cage from which she manages the occasional ...
Sundance: Director Daniel Roher makes a good-faith effort to engage with a topic whose potential impact only gets bigger the closer you look at it. Any sincere, unbiased conversation about artificial ...
Melania Trump’s much-discussed documentary will not be shown in South African cinemas. According to the New York Times, “Melania” — scheduled to open worldwide on Friday and already a highly ...
Doc Holliday arrived in Dodge City in 1878, fresh from Texas and already tied to the hip to Big Nose Kate. He advertised as a dentist, gambled heavily, and quietly built a reputation in one of the ...
PARK CITY, UTAH Jan. 28 (UPI) --The AI Doc: Or How I Became an Apocaloptimist, which premiered Tuesday at the Sundance Film Festival, takes a compelling human approach to artificial intelligence. It ...
Daniel Roher and Charlie Tyrell take a personal, visually inventive approach to the fast-approaching AI future in this Sundance premiere. By Caryn James Artificial intelligence may be the ultimate ...
In many ways, this hour feels like a return to form. To varying degrees, Doc Season 2 has been great, but it has gotten so far ahead of itself with that revenge arc and everyone coming after Amy, ...
Add Yahoo as a preferred source to see more of our stories on Google. "The AI Doc: Or How I Became an Apocaloptimist" (Credit: Courtesy of Focus Features) I suppose one day the Shop-Vac Corporation ...
Courtney Love knows what you think about her. She’s heard the names you’ve called her as well as the praise you’ve heaped upon her, the spurious accusations and the salacious rumors, the questions ...
Making a documentary about AI presented several filmmakers with a dilemma: How do you transform a subject better suited for a podcast or book into compelling cinema? “This movie did not want to be a ...