Inside Germany, the box office is dominated by light-hearted comedies and family films. These films are popular and profitable in Germany but barely seen beyond German-speaking countries. Outside ...

Margins are tight and prices have been rising for a while so this is an area for industry watchers to keep an eye on. If price sensitivity among the next generation of cinema goers rises then it could ...

Family secrets have held steady. Stoker hides a history of violence beneath a polished surface. We Need to Talk About Kevinbuilds tension around a mother’s fear of what her son truly is. The Skeleton ...

Cinema operators and industry insiders reflect on the state of theatrical recovery, revealing cost-cutting, programming ...

Note: Nothing in this article is an endorsement or any production, service or company. I have not been paid by any, and I am not recommending any. Examples cited are just illustrative of being offered ...

An oft-repeated mantra among film distribution professionals is “Drama is not a genre”. By that, they don’t mean that films cannot be dramatic, nor that there are not films you could call “a drama”.

How they feel - Today’s piece sets the tone, looking at the issues which are at the forefront of the minds of those at the front line of cinema exhibition What they predict - Article two will reveal ...

Cannes felt quieter and flatter this year. Cannes 2025 lacked its usual buzz, with a subdued atmosphere and restrained energy throughout the Marché. Everyone is playing it safe with their money.