Josh Bradley is Creative Loafing Tampa's resident live music freak. He started freelancing with the paper in 2020 at the age ...

WASHINGTON, March 18 — A spoon emoji, a subreddit, a viral song: US federal workers are finding sweet succour in the bosom of ...

Moby Dick' was always the point of the Led Zeppelin live set where most of the band walked off stage, but for John Bonham it ...

Robert Plant is arguably one of the greatest vocalists of all time, and he thanks some of his musical influences for this ...

“Kanye West is not Picasso / I am Picasso / Kanye West is not Edison / I am Edison / I am Tesla / Jay-Z is not the Dylan of anything / I am the Dylan of anything / I am the Kanye West of Kanye West,” ...

The Metropolitan Opera ended its annual winter hiatus with two productions that chronicle their protagonists’ dangerous, ...

Born from the eerie stillness of lockdown life, liminal ambient music stands as a fascinating cultural phenomenon, a sound ...

If “operatic” is a synonym for “big,” Herman Melville’s sprawling novel “Moby-Dick” should be ideal source material for the stage. Jake Heggie’s 2010 operatic treatment certainly ...

Last month, the Atlanta metal greats met up with the makers of a new, equally-Melville-centered opera called — you guessed it— Moby-Dick to discuss their respective takes on the literary classic, ...

Aside from guitarist Brent Hinds, everyone in Mastodon was on hand alongside Heggie and composers Tamar-kali and David T. Little. And now, that discussion is available to watch online. It’s a deep ...

tapering the music down to a lonely clarinet as though paring a piece of scrimshaw. These moments, more than any of the maelstroms, are what give “Moby-Dick” its sense of emotional scale.