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The final cistern scene, in which a blood-daubed Elza van den Heever as Salome finally kisses the head, is a masterstroke.
In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six ...
NEW YORK (AP) — Elza van den Heever’s portrayal of Salome sticks to her when she leaves the Metropolitan Opera for a rented ...
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